Disney says a new Star Wars film will appear yearly from 2015. But while the stories might be set in a galaxy far, far away, Star Wars has some interesting connections closer to home.
Star Wars will blast back to the big screen with movies alternating between those expanding the saga and spin-off character-based films.
At first glance the franchise's galaxy populated with Jedi, Wookies, Ewoks and jet pack-propelled bounty hunters seems a long way from Scotland.
But given a closer look, a tartan-tinged Force runs strong through the Star Wars films and comic books.
Some of these connections are well-known.
They include Scots actor Denis Lawson playing rebel fighter pilot Wedge Antilles in the original film trilogy.
Lawson's drama school class-mate, Carnoustie-born Ian McDiarmid, starred as the Empire's powerful emperor in 1983's Return of the Jedi and appeared in the most recent films: The Phantom Menace, Attack of the Clones and Revenge of the Sith.
Crieff lad Ewan McGregor - Lawson's nephew - starred as a young Obi Wan Kenobi in those last three movies. And McGregor says he is keen to reprise the role in any of the new flicks.
Talking to Newsbeat entertainment reporter Natalie Jamieson last month, the actor said: "If they needed Obi Wan Kenobi I would rather it was me than someone else, of course."
Another Scot who appeared in The Phantom Menace was Glasgow-born Ray Park, who played Darth Maul, a fierce warrior serving the evil Dark Side.
Read much more at BBC News Highlands & Islands
The Wee Man
Martin Compston stars in this uneven crime drama that glamourises its real-life subject
Based on the memoirs of Glasgow gangland figure Paul Ferris,
this chronicle of a bloody underworld feud runs from the early 1970s,
when a young Ferris and his friends are menaced by the ruthless Welsh
family, to the 80s, when Ferris is married and expecting a child, but
still engaging in increasingly high-stakes tit-for-tat attacks with his
old nemeses. Oh, and getting into the odd sticky situation while working
as a debt collector for a notorious crime boss.
The film makes impressive work of its shifts through time, with diligent production design and authentically heinous 70s and 80s fashions and interiors creating a highly persuasive physical environment. It starts well, with exceptional work from child actor Daniel Kerr as the young Ferris and Denis Lawson as the father who tries to guide him into the understanding that their world has real-life 'monsters' in it. However, the tale of Ferris’ ensuing adult struggle against these bad elements is told with scant recourse to subtlety, and with a partiality that leaves an unpleasant taste in the mouth. While the crimes of the Welshes – which escalate from dog abuse to child rape to old lady murder – are shored up relentlessly enough for us to conclude that they are indeed as close as people come to being the fairytale monsters of Ferris Sr’s construction, Paul himself as played by Martin Compston is persistently painted as a good guy in a bad situation, and his eye-for-an-eye approach to justice as simply the only route available.
It’s of course the filmmakers’ prerogative to paint Ferris’s life story as they choose, and the performers here all share a commitment to their work that elevates the whole – but the script’s struggle to flatter its unprepossessing vigilante protagonist (he’s prone to coming out with poetic self-justifying speeches, too) is unconvincing, if not arguably irresponsible.
Selected release from Fri 18 Jan.
Source (including photo): The List
Fancarpet has some stills from the film here
The film makes impressive work of its shifts through time, with diligent production design and authentically heinous 70s and 80s fashions and interiors creating a highly persuasive physical environment. It starts well, with exceptional work from child actor Daniel Kerr as the young Ferris and Denis Lawson as the father who tries to guide him into the understanding that their world has real-life 'monsters' in it. However, the tale of Ferris’ ensuing adult struggle against these bad elements is told with scant recourse to subtlety, and with a partiality that leaves an unpleasant taste in the mouth. While the crimes of the Welshes – which escalate from dog abuse to child rape to old lady murder – are shored up relentlessly enough for us to conclude that they are indeed as close as people come to being the fairytale monsters of Ferris Sr’s construction, Paul himself as played by Martin Compston is persistently painted as a good guy in a bad situation, and his eye-for-an-eye approach to justice as simply the only route available.
It’s of course the filmmakers’ prerogative to paint Ferris’s life story as they choose, and the performers here all share a commitment to their work that elevates the whole – but the script’s struggle to flatter its unprepossessing vigilante protagonist (he’s prone to coming out with poetic self-justifying speeches, too) is unconvincing, if not arguably irresponsible.
Selected release from Fri 18 Jan.
Source (including photo): The List
Fancarpet has some stills from the film here
