Showing posts with label audio. Show all posts
Showing posts with label audio. Show all posts

Sunday, 7 April 2013

Alan Cumming: Shakespeare CD, 'Macbeth' ticket offer, awards ceremony hosting

  • Shakespeare
Alan Cumming performs Shakespeare's "Greatest Hits" on new CD, The Head That Wears a Crown
"To be or not to be" and "Now is the winter of our discontent" are included on this 22-track CD of Shakespeare's most famous speeches.
Cover art for <i>The Head That Wears a Crown</i>, courtesy of GPR Records 
Cover art for The Head That Wears a Crown, courtesy of GPR Records

Combine your favorite audio book with your favorite NOW CD, add a dash of Alan Cumming, and you've got the most sophisticated thing ever to happen to long car trips. Tony and Emmy Award winner Alan Cumming (Cabaret), the Shakespearean man-of-the-hour who is currently preparing to open his one-man rendition of Macbeth at the Ethel Barrymore Theater this month, is also preparing to release a 22-track CD of Shakespeare's most famous speeches entitled The Head That Wears a Crown. Produced by GPR Records, the CD contains selections from As You Like It, Coriolanus, Hamlet, Henry V, Henry VIII, King Lear, Macbeth, Richard II, The Tempest, Titus Andronicus, and Twelfth Night, chosen by Cumming personally. The digital release is set for April 3, with a full release scheduled for April 26.
Read more at TheaterMania

  • Macbeth
Rush Ticket policy announced for Alan Cumming's Macbeth on Broadway
Alan Cumming 
photo courtesy of Playbill
Producers have announced a "$30 Under 30" rush ticket policy for the new one-man Broadway production of Macbeth starring Tony Award winner Alan Cumming, which begins Broadway previews April 7 at the Ethel Barrymore Theatre.
Individuals under 30 years of age with a valid ID indicating their birth date will be able to purchase one ticket at the Barrymore box office for day-of performances to the production that will officially open April 21.
Read more at Playbill

Alan Cumming guest stars in the season finale of "The Outs"
The Outs, a critically-acclaimed and crowd-funded web series about friends, lovers and exes in Brooklyn, is wrapping up with Alan Cumming guest starring in the finale episode. Adam Goldman, the show's creator, spoke to BuzzFeed via email about the finale and how The Outs got started.
Read more at BuzzFeed

  • Drama League Awards
David Hyde Pierce to Host Drama League Awards; Honorary Co-Chairs Include Alan Cumming, Nathan Lane & More
Read more at Broadway

Monday, 11 February 2013

Alan Cumming: new concert date, fashion video appearance, Richard III audio

Extra show added for Liza and Alan Cumming!
2ndshowposter.jpg 
From The Village Voice:
Last year in Cherry Grove, Daniel Nardicio presented Alan Cumming and special guest Liza Minnelli in concert, and it became the buzzy event of the whole gay summer.
Those two were pretty delectable together. (And there was that Cabaret connection, so seeing them do a cabaret act made "duh" kind of sense.)
Well, they're coming back as a duo, this time to Town Hall on March 13--a day after Liza's 67th birthday.
And Liza's added a full band, and she and Alan are working on new material so it's not going to be a replica of the Fire Island shows.
The formula totally clicks.
In fact, Nardicio tells me that tickets flew so quickly that he's added a second show for the next night!
And suddenly the sound you hear from certain neighborhoods is "Maybe this time, I'll get tickets. Maybe this time, I'll win...."

Liza Minnelli & Alan Cumming � Koitz.jpg


Source (including images): The Village Voice



STAGE TUBE: Alan Cumming makes appearance in HAPPY TEARS film
These so called "Happy Tears" shoot through our veins like free flowing dopamine and leave us comfortably cringing. The prints, cuts and materials from this collection are reminiscent of the feeling of coming home and at the same time letting go. This intimately familiar laugh echoes through our memories and seizes us suddenly and unexpectedly - whether we want it to or not. This power is reflected in Zigerli's collection. The harmonic assortment surprises with its practicality, details and colors that make ones pulse race.
Since his first collection, Julian Zigerli has produced new collection videos for every season. In collaboration with new directors for each video, the idea is to use the video as a creative output to translate the concept and idea of a collection on a visual and more experimental level.

The concept behind the collection video was to develop a true cross-border collaboration between not only different artists, but also between different film genres. While staying true to the fashion video essence of creating an intense aesthetic experience, the aim was to be as narrative and cinematic as possible. Testament to this ambition is the stunning cameo of actor Alan Cumming who agreed to back this project and bring his own twist to the look and feel of this beautifully shot short film.

Shot on location and with the kind support of The Empire Hotel New York.
Read more at BroadwayWorld 


Alan Cumming puts meat on the bones of Richard III in upcoming audio release Acclaimed actor delivers the King’s speeches and other Royal Men from Shakespeare.
Close on the heels of the stunning archaeological find of King Richard III’s bones in Leicester, England, the infamous monarch’s speeches from Shakespeare will be released on CD and as a digital download performed by acclaimed stage, screen and television actor Alan Cumming. The recording entitled The Head that Wears a Crown: Speeches for Royal Men was recorded last month in New York City and features Cumming (“The Good Wife”) in the roles of several of Shakespeare’s most famous monarchs and is set for release this Spring 2013 it was announced this week by the producers, GPRrecords.
An accomplished actor, Cumming is the recipient of numerous awards, including a Tony, Drama Desk, Outer Critic’s Choice and NY Drama Critics award for his work and has been nominated for Screen Actors’ Guild and Emmy Awards for his supporting role in the acclaimed CBS drama, The Good Wife.
Cumming’s command of Shakespeare was spectacularly demonstrated by the 2012 recording of Macbeth, for which the actor won a 2012 Audiophile Best Voice of the Year award.
The newest audio recording, a compilation of several of the bard’s royal speeches will be released worldwide by GPRrecords through NAXOS. An audio clip of Cumming as Richard III is posted on GPRecords Facebook page at https://www.facebook.com/GpRrecords?ref=hl.
Source: PRWeb

Sunday, 26 February 2012

David Tennant: new project | awards | Decoy Bride review | Tree Fu Tom update | DVD easter egg

David Tennant To Perform Silver: Return To Treasure Island
David Tennant has been confirmed as the actor to perform Silver: Return to Treasure Island, written by Sir Andrew Motion, the official audiobook sequel to the Robert Louis Stevenson classic. David Tennant is a perfect match for the book having won numerous Best Actor Awards for his role as the tenth incarnation of The Doctor in Doctor Who, appeared in Harry Potter and the Goblet of Fire, and played the title role in the acclaimed RSC production of Hamlet.

Author Sir Andrew Motion, a former Poet Laureate and Chair of the Man Booker Prize judges, comments: 'I'm completely delighted David Tennant's reading Silver. I honestly can't think of anyone I'd rather hear do it.'
Dominic White, Head of Publishing and Commerce at W F Howes Ltd (leading Leicestershire based audiobook publisher) comments: 'David Tenant really conveys the thrills of an ocean odyssey. This is the making of a modern classic in spoken word form.'
W F Howes Ltd, audiobook publishers, are creating exclusive downloadable and CD editions for retailers (Whole Story Audiobooks imprint) and libraries (Clipper imprint), released on the 15th March.

Source: Book 2 Book



David Tennant and Catherine Tate are among the Whatsonstage Awards theatre success stories
Catherine Tate wasn’t just celebrating winning best supporting actress in a play for her turn in Season’s Greetings - another National Theatre production – last night. Her collaboration with fellow Doctor Who alumnus David Tennant in Much Ado about Nothing was voted theatre event of the year and best Shakespearean production, beating the Globe’s rival staging of the same play in this category by only four per cent of the vote.

Read more at Radio Times



The List reviews The Decoy Bride
 Read the whole article at The List

Glasgow Film Festival 2012: Writer Sally Phillips & Director Sheree Folkson discuss The Decoy Bride
Co-writer/actor Sally Phillips (Smack the Pony) and director Sheree Folkson (A Royal Scandal) discuss their feature film The Decoy Bride, which was screened as part of the Great Scots strand at the Glasgow Film Festival 2012.
Bridget Jones meets Local Hero in this fizzy romantic confection that features a sparkling screwball comedy performance from Kelly Macdonald. Hollywood star Lara (Alice Eve) and her writer fiancé James (David Tennant) are desperate for a quiet romantic wedding far from the prying eyes of the paparazzi. The tiny Scottish island of Hegg seems ideal but the media are soon descending in their hordes. A cunning plan is devised to stage a fake wedding and throw them off the trail. Local lass Katie (Macdonald) is the decoy bride but nothing goes entirely as expected in an entertaining romp with echoes of I Know Where I'm Going.
 





Tree Fu Tom
The BBC have released more details of their forthcoming children's animated series, Tree Fu Tom, which will feature the vocal talents of Tenth Doctor David Tennant and Seventh Doctor companion Sophie Aldred.


Former Doctor Who stars David Tennant and Sophie Aldred voice the lead characters Tom (Aldred) and Twigs (Tennant) in the new multi-platform fantasy action adventure series, Tree Fu Tom coming to CBeebies in March. Aimed at four to six year olds, Tree Fu Tom is set in an enchanted world where movement creates magic. Tom appears to be a normal eight-year-old boy but putting on his magic belt and performing a special sequence of magic action-movements (known as Tree Fu) transforms him into a tiny but mighty magical super-hero. Using a Tree Fu spell, Tom is transported into a wondrous enchanted kingdom in a tree called Treetopolis, inhabited by sprites, bugs and naughty fungi – the ‘Mushas’. Here he meets his faithful sidekick Twigs, a silly and energetic Acorn Sprite. Tom and Twigs are inseparable as they become embroiled in amazing, action-packed adventures, which always lead to trouble, impending disaster and catastrophe. When events run beyond their control it is only with help from the audience performing Tree Fu moves, that Tom can create spectacular Big World Magic and save the day!

All of the Tree Fu magic moves that children are encouraged to copy are developed from therapeutic techniques that are used to help children with movement disorders like Dyspraxia, but are designed to assist and enhance the development of all participating children at a crucial time in their growth. Controller of CBeebies, Kay Benbow, says: “We have a fantastic cast on this show, who work brilliantly as a team. Their rapport permeates through to the programme reflecting the characters as a group of friends working together. We are delighted to have David on board as part of the team. The physical energy in his performance works so well for animation and his sense of fun and cheeky humour will delight the older CBeebies audience.”

Sally Payne from the Dyspraxia Foundation adds: “The Dyspraxia Foundation is delighted to have been involved in Tree Fu Tom since the early days of its development and believe that all children, not just those with dyspraxia, will both enjoy and benefit from making Big World Magic come to life!”

Tree Fu Tom is a co-production between CBeebies In-House Production and FremantleMedia Enterprises. Jackie Edwards and Alison Stewart are the executive producers for the BBC, and Sander Schwartz and Bob Higgins for FME. The animation will be done by the BAFTA Award winning Blue Zoo Animation. Tree Fu Tom was created and is being produced by Daniel Bays. FME will distribute Tree Fu Tom outside of the UK and manage all other ancillary rights globally.

Source: News in Time and Space



Doctor Who 2009 Specials Easter Egg - Infinite Quest DVD Extra: David Tennant as pirate Dr. Vile
An Easter Egg aficionado has shared the following instructions on how to find this extra treat on the DVD:
On the Main Menu screen hit the arrow button to highlight "Extras" and then click up. It will highlight an area on the TARDIS Control Console. Click Enter, and it will play a DVD Extra of David Tennant recording the scene where he is acting like he's a pirate named Dr. Vile. Not hugely entertaining, but it was cool to find. :) 

Source: The Easter Egg Archive

Wednesday, 1 February 2012

David Tennant: BBC Audio Drama Awards, and project updates



David Tennant won the 'Best Actor' award at the first BBC Audio Drama Awards ceremony, held at Broadcasting House in London on Sunday evening. David also hosted the ceremony. He won the award for his lead role in Kafka The Musical!
More details at David Tennant on Twitter



Transmission dates and premières:

The transmission all over Britain of the David Tennant narrated documentary Wild About Pandas has been moved from Tuesday 7th to Friday 10th February at 9pm on BBC Two. Scotland will still be able to view it first on Wednesday 1st February.
More details at David Tennant on Twitter

The David Tennant voiced Tree Fu Tom will première at BBC's celebration of CBeebies and CBBC's 10th birthday on Saturday 18th February in Salford Quays near Manchester.
See here for full details.

The release date of the movie The Pirates! Band of Misfits has been delayed in the US from the original date of 30th March to 27th April. (This is the movie which is called The Pirates! In An Adventure With Scientists in the UK.)
See here for more details and the opening dates of the movie all around the world.

Robert Burns Night 2012: Robert Carlyle, Robbie Coltrane, and Brian Cox recite Robert Burns

BBC Scotland are working on a project to record all of Burns' works. So far the BBC have recordings for 716 pieces of works, read by some of Scotland's best-loved actors as well as HRH Prince Charles and Scotland's First Minister Alex Salmond.

The Tree of Liberty read by Robbie Coltrane


Read and hear more at TEK Journalism UK

Sunday, 1 January 2012

David Tennant to voice Chitty Chitty Bang Bang sequel




David Tennant
is to voice the audiobook version of Frank Cottrell Boyce's sequel to Ian Fleming's beloved children's tale Chitty Chitty Bang Bang.
The former Doctor Who star was contacted personally by the estate of Ian Fleming, which asked him to provide his voice for Chitty Chitty Bang Bang Flies Again after the novel was released to critical acclaim in October.

Ian Fleming's niece Lucy said Tennant brings 'wry humour and great characterisation' to the audiobook version of the novel, which the Guardian's John Lacey described as 'much funnier and more engaging than Fleming's original tale' in his review.

'We are thrilled that David agreed to read the audiobook. He is such a talented actor and his voice brings Frank Cottrell Boyce's story to life. Chitty could not have been in safer hands with him behind the wheel,' Lucy added.

Tennant said the story is 'very clever, slightly surreal and hugely readable' and also praised the connections to Fleming's most famous creation – James Bond – that Boyce wrote into the story.

Chitty Chitty Bang Bang was first published in 1964, shortly before Fleming's death from a heart attack, with a successful film adaptation released in 1968 and an acclaimed stage version premiering at the London Palladium in 2002

Source: Foyles



The Guardian has an audio interview with David in which he
talks to Lucy Fleming, niece of Chitty's creator Ian Fleming, about the character and the books.

In this interview with Lucy Fleming, Tennant describes how he would "love to have a car that would take off, escape the traffic, and fly you to any country in the world" and discusses some of the James Bond references Frank Cottrell Boyce has woven into the story.

A version of this interview is available with the audio download of the book.

The novel by Frank Cottrell Boyce, the first official sequel to Fleming’s Chitty Chitty Bang Bang, is available as an exclusive download for £10.99 from Audible and iTunes.

Chitty Chitty Bang Bang Flies Again is also published as hardback and e-book by Macmillan Children’s Books.

Sunday, 18 December 2011

Brian Cox reads from Nothing Human Left



“Nothing Human Left” by Simon Ashe-Browne is the winner of the 2011 Dundee International Book Prize. The £10,000 cash prize also sees the book published by Cargo. A pulsating psychological thriller, Hollywood actor Brian Cox (Troy, The Bourne Supremacy) reads from the first chapter.



You can buy the book here

Source: Cargo Publishing

Sunday, 3 July 2011

David Tennant - news, updates, and new projects



Empire have released images of four new promo Fright Night posters, inlcuding the one above of David Tennant.
See more at Empire Online

A Wharf press release this week said that David Tennant will attend the UK Fright Night screening at the O2 on Sunday 14 August (this has not been confirmed)

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Final Round of TV Choice Awards

David Tennant is through to the final round of the TV Choice Award. He's been nominated for Best Actor, and Single Father has been nominated for Best New Drama. Voting ends at midnight on Friday 8th July. Winners will be announced on 13th September and there does not appear to be a limit to how many times you can vote but just remember to click the "submit vote" button right at the end for your vote to count.
Vote at TV Choice Magazine

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The Purple Land (BBC Radio Four Saturday 16th July)

David Tennant appeared in the Saturday Play on BBC Radio Four on Saturday 16th July from 2.30pm until 4pm. The play is described as "Andrew Davies's rip-roaring adaptation of WH Hudson's epic Uruguayan adventure."

The BBC Radio Four publicity announcement says:
"Published in 1885, The Purple Land was the first novel of William Henry Hudson, author of Green Mansions. It is an exuberant, wryly comic account of a young Englishman's imprudent adventures, set against a background of political strife in 19th-century South America. Eloping with an Argentine girl, young Richard Lamb (Tennant) makes an implacable enemy of his teenage bride's father. Leaving her behind, he goes ignorantly forth into the interior of the country to seek his fortune. While doing so he learns to hunt, ride, herd, love and even kill on his way to becoming a man. In Davies's hands this "road novel" becomes a fast-paced romp in the tradition of Tom Jones, with a dash of Don Quixote for good measure. Producer/Clive Brill for Pacificus Productions."
Source: BBC

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The Itch Of The Golden Nit premiered in Leicester Square on 29 June and had its television premiere on Saturday (2nd July) morning at 9am on BBC2.

The Itch Of The Golden Nit is an animated short film which was conceived and drawn by children. David Tennant has voiced two cameos roles but details have not been announced about which roles they are. The film includes a number of British stars including David Walliams and Catherine Tate. Following the broadcast there was a special “making of” section about the movie during Blue Peter from 9.30am. The Itch Of The Golden Nit was repeated on CBBC at 5.15pm in Sunday 3rd July.

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Much Ado About Nothing soundtrack CD on sale from 18 July

A soundtrack of David Tennant’s production of Much Ado About Nothing will be released on 18th July. As well as music by Michael Bruce, it will include two tracks sung by David Tennant and Catherine Tate. The soundtrack will be available from the Wyndham Theatre from that date until the play ends on 3rd September. The production also has an online shop which will most likely stock the CD too.

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David Tennant reading The Fir Tree is available from the BBC Learning website
Source: BBC

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David Tennant has signed a Tenth Doctor drawing in aid of charity; see the artwork, and find out more at Art for Hearts

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All news items courtesy of David Tennant on Twitter

Sunday, 20 February 2011

David Tennant - audio book / stamps


Annabel Pitcher’s striking debut novel, My Sister Lives on the Mantelpiece, is currently being recorded as an audiobook by actor David Tennant.

Read more at Orion Books

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Royal Mail to issue Shakespeare stamps
On 12 April 2011 The Royal Mail will issue a collection of stamps featuring six images from Royal Shakespeare Company productions to celebrate 50 years of the company’s charter.
The six stamps will feature Antony Sher, Paul Schofield, Chuk Iwuji, Sara Kestelman, Francesca Annis and Ian McKellen in scenes from Henry VI, King Lear, A Midsummer Night’s Dream, Romeo and Juliet and The Tempest - the 1st Class stamp will feature David Tennant playing Hamlet.

Source: British Universities Film & Video Council

Monday, 1 November 2010

David Tennant's Absolute Radio sketch

A funny clip featuring David Tennant and Christian O'Connell from last Thursday's appearance on Absolute Radio:

Wednesday, 20 October 2010

Preview of 'Single Father', episode 3 + David Tennant on Absolute Radio





David Tennant will co-host the Absolute Radio Breakfast Show with Christian O'Connell on Thursday, October 28. The show starts from 6am. More details are below:

Listen live online at: http://www.absoluteradio.co.uk/

or on DAB Radio or If you are in London and the South East on 105.8FM

or TVSky Channel 0107

Virgin TV 915

Freeview Channel 915

Friday, 8 October 2010

David Tennant's Richard Bacon interview

David Tennant appeared on Richard Bacon's 5Live radio show earlier today to promote Single Father. Part one of the interview is posted below and you can watch all three parts over at Blogtor Who.



There are also two new clips from Single Father, but they're only available to UK residents. They'll probably be up on YouTube soon though. You can also read ReelScotland's review of Single Father here.

Wednesday, 12 May 2010

Robert Carlyle interview for Johnnie Walker

Robert Carlyle recently did an interview for Johnnie Walker and in it he talks about his father - who passed away four years ago - and growing up in Glasgow. It's a really interesting interview and Robert reveals a lot of new details about his difficult childhood. You can head on over here to listen to the full interview and a transcript is posted below. Thanks so much to Dan for the transcript and the link.


Robert Carlyle – Walking With Giants

Hi, this is Robert Carlyle. You’re walking with me today in my old neck of the woods here in Glasgow. I hope you’ve got your thermals with you because it is freezing here today, must be at least 25 below. This area played a huge part in my life, and what I want to do today is take you for a wee walk and tell you basically where I came from, and where I went to.

It’s actually very unusual for me to speak about pretty much anything in my past, so what I’m going to talk to you about today has never been heard before, and I think it’s important for me to do this for a number of reasons, but the biggest reason of all if my father, God bless him, he passed away four years ago. When he was gone it suddenly occurred to me that no one else knew this story other than me, and if I was to suddenly get hit by a bus tomorrow, my children would have no idea about where I had come from, and where my father had come from, where my grandparents had come from, so this seemed to me to be a worthwhile to do.

This first thing you should know about me is when I was three years old my mother left me and my father. And that was traumatic obviously for my father; my father suffered a nervous breakdown in fact at that time in his life. He had come from stock standard working class background in Glasgow, but he was a shirt and tie man, he worked very hard my father, but when the marriage ended he went on a kind of spiral and took me off with him on what was quite an incredible journey.

So the first seven years of my life were spent in the east end of Glasgow, and the east end of Glasgow was a particularly hard, rough place to be. We had less than nothing; we were poorer than poor. So as this wee story I’m telling you is all about walking, about my journey, we really began walking from that age of three or four. We would walk for miles and miles looking for anything we could find.

I’ll tell you a story I remember particularly to show how hard this was. Brooke Bond tea packets used to have little stamps and if you saved up enough of these on a little card you could get a box of groceries. So we would spend literally months raking through dustbins trying to find tea packets that still had a stamp. Whenever we would be wandering, maybe we would come upon a skip, my heart would kind of sink because I knew my dad would find something in there to pass down and to sell on, and it didn’t really matter what that was, my wee dad would get a wardrobe on his back and I would be helping him and along we would go, back to this absolute gutter that we lived in.

Why were we so poor? Why was my dad not working? Well I have to tell you, simply because he had to look after me. There was no option. There was no family, when my mother and father’s marriage broke up, my father’s family kind of rejected him, so he had no back up, he had nothing at all. And of course, the notion of a single parent family even then was very vague, so there was a certain element of distrust toward my father from social security-type institutions and stuff like that would continually try to take me away. And my father would then move from address to address basically to escape. I have to be honest, we survived through stealing a lot of the time you know, he would nick stuff, he would sell it on, and that would keep up going for a week or two. It was living on your wits you know, it was very much living on your wits and my father was brilliant at that. He did some things which were quite extraordinary, and this is maybe the first indication of any sense of acting in my life.

What my dad used to do was he would take me to what was called the welfare, and he would say to me on the way, “I’m going to make a bit of a scene here, I’m going to scream and shout a lot, I’m going to threaten to leave you, but don’t worry son, I’ll be coming back to get you”. Now these institutions then were grim, it was Dickensian almost you know, and you would sit there and be humiliated basically, and at that end of the day you would get again a box of groceries. But trying to get that was quite a skill. So several time my dad would take me, and he’d say “look we need this, we need money”, “we can’t get you money Mr. Carlyle”, “Okay, you take him”. And I remember seeing these people laugh going “ don’t be ridiculous, what are your talking about that’s your son”, and saying “it is my son, but a can’t look after him any more, it’s up to you, bye” and he’s off. My dad was like a greyhound, out the door and away, and I was left sitting there watching this, and even though I know he’s coming back he’s so convincing that I think he’s away. At the time it just seemed like everything was against us you know, it was me and my dad against the world, that was all it was.

My mother in actual fact made a reappearance when I was about six years old. And I remember sitting at home with my dad when this woman walked in, she had a fur coat on. It had only been three years but I didn’t know her, and my dad said “that’s your mum”, and I just remember her coming up to me and covering me up in this fur coat, and I remember the feeling of the fur, the smell of the perfume, and even though I was just a wee boy, just six years, I remember feeling happy. And you know I thought she was back for six months, and I’ve only just found out in recent times that she was actually only back for two weeks. I wish I could ask them now. If there’s anything you want to ask your parents, ask them before they go, because once they go, they’re gone.

The Full Monty I’m obviously grateful for, for my entire career. What struck me was I was 32 when the Monty came up, I think my father was round about the same age when his marriage started to fall apart and he had me, and I suppose then was my first real indication to me of how much my father loved me. He’d have done anything for me, he’d have killed for me, but I suddenly began to get it. And of course Gaz in the Full Monty would do anything for his boy, he eventually takes his clothes off in public, but you know if, I’m sorry that’s my agent.

So there comes a point where my father decides to leave the east end of Glasgow. There was such an atmosphere of violence, and my father could see that even at the early early age of six or seven that I was getting pulled into that. I remember seeing these vicious, ferocious gangs squaring up to each other. Now it was like the charge of the light brigade. Us as wee boys, we’d be underneath cars and tenement watching on us, and I remember seeing this boy, I don’t know what eventually happened but I’d just seen this massive bully aiming don’t toward this boys arm and it certainly hurt and I know I’ll never forget the scream that came out of this guy. I was really shocked by that, and it was very very soon after that that my dad thought “right, we’re getting out of here”, and we ended up in the west end of Glasgow, which was certainly a much more peaceful are to live. Haha just looking at a dog, a very typical Glasgow collie there, give me my ball or I’ll bite you.

I do tend to divide my childhood into darkness and light, and the first seven years were certainly the darkness; the west end of Glasgow was in technicolor, it was brighter than bright. As we’re walking along here at Botanic Gardens was kind of where it all began for me. My dad was rubbish of all other aspects of his financial life, but he’s pretty good at paying the rent. But what had happened was that the landlord hadn’t showed up, two or three weeks went by, and I always remember this man his name was Mr. Macooloo, and he was reputedly from Nigeria, but something had happened with his life back home and Mr. Macooloo was gone, and suddenly this Victorian town house was left abandoned.

We had been in houses before that, little crummy houses, this was the first time that we were actually in a bed-sit, even my dad didn’t really know what this was, and I certainly didn’t know what this was, other people were in this house but we didn’t necessarily talk to them. So my dad started to chat the doors. And each door that opened up the people were more colourful and kind of spectacular in their own kind of way, and they kind of looked at him and said “so you’re the father of the kid”, “yes”, “where’s the mother?”, “she’s gone”. So my dad and me we became celebrities within this house, coming from the east end, struggling to eat. Me and my father survived for a week on custard powder made with water. I can’t tell you what that’s like, try it yourself, kind of translucent orange kind of colour and I remember eating this slop.

Now we came from that to be on the street, and suddenly it was like my father had a family. An interesting sight, this makes me laugh anyway to show you how bizarre the world was that I’d stepped in, I remember coming through this darkness of the east end of Glasgow, suddenly we were in the west end in this house, and there’s a couple there called Roger and Rosemary, and Roger and Rosemary had a chameleon. Imagine that as a wee boy this was incredible. They morph, they change their colour and stuff like that, and I used to sit, staring at this chameleon for hours and hours and hours trying to see it change into the colour of the wallpaper, and of course it escaped. And I’ve always kind of thought “I wonder what happened to that wee chameleon”, maybe it met another kind of lizard and they started a wee family and there’s loads of kind of strange chameleon type creatures wandering about Glasgow suddenly.

So it was fun. 1966/67 had happened - the summer of love had taken place, and the whispers of a new kind of life was sweeping its way across the ocean, and my father embraced this. He started to listen to Dr Timothy Leary. He turned on, he tuned in, and he dropped out, and within a year the collar and tie were gone, his hair was down to his bum in fact, his beard grew down to his chest, and all the people that were round about me looked like that. And here we were, we were suddenly getting called hippies. There was other women in there you see, mothers and daughters, so suddenly it was like looking in the mirror, I had friends for the first time, and my dad, for the first time in many many years, he could actually leave me with people and get on with his life a wee bit. We started doing a bit of painting and decorating and stuff like that, making a wee bit of money. But of course you know, all good things come to an end. The days of Belmont Street are nearly over, Mr Macooloo’s house was going to be sold.

Squatters rights – they couldn’t kick you out if somebody was in the house, this particular day everybody was out, they came and locked the whole place up, we were out on the street – again. Well en masse we decided we were going to go to London because one of the guys in the commune knew this guys called Dingo who owned a town house on Ifield road in Chelsea which he’d won in a card game. So the whole bunch of us, about 20, went and lived in this beautiful but dilapidated town house in Chelsea. And if there was colourful people in the Glasgow commune, you can imagine what I was confronted with in London. Buddhists, Jamaicans, people that I’d never seen before in my life! That lasted a couple of years, and we moved again en masse down to Brighton. And everything I’m telling you is true, on my children’s life this is true. We slept on Brighton beach for about eighteen months, there must have been maybe fifty, sixty people that were sleeping on the beach underneath this pier, and when it rained, what my dad used to do is he used to wrap me up in plastic bags like a crispy roll, and he’d carry me up to the prom, pull back the canvases which were covering up the deckchairs and he’d stick me in there, and that would be me for the night.

I can remember me and my dad walking for miles to the cinema that let you in for lemonade bottles. He always said that he did this to take my mind of that fact that my mother wasn’t around; it was probably to take his mind off it as much as anybody else’s. And my dad would take me to see any movie I wanted to see as long as it was a western, and that love of westerns and cowboys has stayed with me my entire life. I loved the idea of the man in black riding into town, nobody knew who he was, nobody knew where he came from, and you always knew that he was going somewhere, but you never knew quite where he was going. I still love that notion, and I think that’s actually reflected in an awful lot of my work. You see my story, and the story I’m telling you today, I can laugh about this now but you see at the time I was ashamed. I didn’t like my story, so the cowboys and the world they inhabited seemed to me a much much better story to tell. And one of my early pieces actually was a character called Hamish Macbeth. Now if ever there was a cowboy, there he was. I was even able to dress him in black. He became Yul Brynner to me, Hamish Macbeth.

How do I explain to you how I became an actor? At sixteen years old suddenly I was confronted with reality, which was what are you going to do now? I was a butcher for a morning; I worked in an ironmongers for a couple of months; I worked on the buses, I was one of the last of the Clippies bus conductors in Glasgow. And then, nineteen years old, it was my birthday, and someone had got me some book tokens, so this is the book that I wanted, it was called Hollywood: The Pioneers, and I had 75p left over from this book token, and beside the Hollywood: The Pioneers book there was drama scripts. And I was looking all along and I seen this one called The Crucible, and I thought I think I know that, I know that from somewhere, and I’d remembered it from school, and I also had remembered the name Arthur Miller. This goes back again into the commune days – there’s a Glasgow dog attacking us as we walk, how respectful is that? The Crucible, I thought “I remember that”, I was thinking it was a book, and I thought well I’ll get that, and I took the script, first one I’d ever looked at. And at that point I’m nineteen, I’m getting quite politicised, this was about the McCarthy witch hunt in America in the fifties, this guy has been able to disguise what he’s actually talking about and take it to Salem. So I thought “how absolutely fantastic to actually be one thing and pretend you’re another”. I cannot tell you how big a moment that was in my life that. I’ve never been to the theatre, my friend says “well why don’t you go and see some plays then, maybe you’ll enjoy it”. And there was a place called the Citizens Theatre, and I would go, and I would see all these wonderful plays that I’d had no knowledge of. And so over a period of about two years I became quite literate in terms of drama, something which I’d thought “well that just ain’t for me”.

There was an ad in the paper for this place called the Glasgow Arts Centre, they were going to do some plays and stuff like that, and I remember going in for the first night into a room of about 100 people all screaming and shouting “look at me me me me”. I nearly turned on my heel and walked right out. But I persevered and I sat that and about six months went by, and this wonderful woman called Maggie Kinloch came up to me one night and said “what you doing here?”, and I said “well I’m just coming for the drama”, she said “are you? You’re just sat there you’re not doing anything”. And she was really harsh, and I thought “okay, I need to do something here”. It took another month or so to pluck up the courage. The very first thing I did: I made people laugh, and in actual fact I could see myself shaking. And from that point, everything changed in my head. I started to think, you might actually be quite good at this. Then Maggie Kinloch and another guy called Robbie Molson, they said to us “why don’t you try for drama school?”. And this is that beginning for me having a bit of determination to hold on to this accent that you can hear here, because from the minute I walked into drama school I was told “if you continue to talk like that you’re never going to work”, and this was just horrific as far as I was concerned. There was only about three Scots in actual fact in the year; two other boys from Glasgow, one boy from Castlemilk, which is a hardened area, and he did it. One day he was speaking like me, and the next day he came in and started to talk like that. I had so many fights over the next three years with the lecturers and with the tutors in there, but I was determined to make it work. I’m not going to run away with my tail between my legs any longer. I’m going to face it, I’m going to front it, and I’m going to pursue this career in the way that I see fit.

So what does the future hold? What do you think? I guess you know, the thing to say to you is that honesty, believability, dynamic. Things can get put in your way that take you further and further away from that target, so whether you want to become a bricklayer, or whether you want to become an athlete, then you have to remember what is true, and what is honest, and what is valid.

You know, one of the great directors I have worked with – Danny Boyle – Danny Boyle’s greatest quality is his enthusiasm for anything that you give him. I’ve lost count of the amount of times during Trainspotting and The Beach and 20 Weeks Later in fact that we cut because Danny was laughing because he was enjoying it so much. See when someone gives you that pat on the back, everybody needs it, doesn’t matter how confident you are you need a slap on the back. Danny was great for that. So if I see a wee sixteen year old Robert Carlye walking up this path today I’d stick my hand on his shoulder, squeeze him and say “son, go for it”.

I guess, if I’ve got any role to play, I think I have to give a voice to the people who don’t have a voice. Thinking back to my childhood, the wee guy from the east end of Glasgow, this wee guy who was nothing, well I’ve made a career out of playing guys who are less than nothing. You know when you’re thinking about “is it possible for someone to come from nowhere?” then the answer is absolutely yes. But I tell you this: don’t think back. Thinking back can tie you up in knots and make you doubt yourself. Keep going forward, keep that water moving. One person who stuck by me all the way though from the very beginning was my father. And you know what he did, this was many years later, I think I had done Full Monty, Trainspotting and even Bond by this point, and I was sitting with my dad one night and he said “you’re doing quite well son eh” I was like “Things have gone alright dad”, and he said “you know” and he pulled this bank book out of his pocket, and I look at it and its got £3000 in it. And he said “when you decided to give up the painting and going into the acting, I wasn’t sure it was going to happen for you or not so I saved you up a wee bit of money, in case it didn’t work out, I was going to get you a wee van, a wee set of ladders some brushes and you’d be on your way.” And I’m pausing now even thinking about that, that he would do something like that for me you know. I said to him “Dad, I genuinely don’t need the money any more”. By this point I’ve already bought my dad a house. I was like “daddy just spend it” and that was I think one of the most beautiful things that anyone could ever do for anyone, certainly for a father for a son. I really want to say, my father was a very very honest man, and to me, if that is all you leave behind in your life, that’s a wonderful rich thing to leave behind. And that is I hope, something I can pass on to my children. My children are everything. I love them more than is healthy, I want everything for them. Family is an important thing for me. I never had one, I want to make the best family I can possibly make.

Well, this is us coming to the end of our walk together, but I have to say I’ve enjoyed this today. Believe it or not, this is four years today that my father passed away, so I really hope that it means something to you, it certainly means something to me. I’m going to head off now, but wherever you’re going, keep walking, and have a good one.

Wednesday, 31 March 2010

New James McAvoy interviews: New York Times, Sydney Morning Herald

James was interviewed by Melena Ryzik at The New York Times Arts and Leisure Weekend back in January, and now, finally, the audio interview is online. It's a really great interview so if you want to listen just head on over to The New York Times website.

There's also a new interview James did with Time Out Sydney (via JMMB) to promote The Last Station which opens on April 1 in Australia. Below is an excerpt from the interview.

Your wife [Anne-Marie Duff] is in the film too. You must be excited to have a baby on the way.
Very excited! All the usual nerves, but we're very excited.

You've just completed The Conspirator. How was it being directed by Robert Redford?
The weirdest thing about Robert is that he forces you to call him ‘Bob'. It's a bit like calling Prince Charles ‘Chuck'.

Rumours are rife on the internet that you've been cast in The Hobbit. Are you Bilbo Baggins?
No, I'm not. I can tell you that for a fact. [Nick Dent]

Another interview with the Sydney Morning Herald:

McAvoy had been keen on the role for years, sticking with the project even as his own profile was raised significantly through not only The Last King of Scotland (2006) and Wanted (2008) but also Atonement (2007) and Becoming Jane (2007).

''It was one of those things that when the film finally came back and they said they had an opportunity to get it off the ground again, a lot of people expected me to say, 'No thanks, I've moved on in my career and I'm doing better now,''' McAvoy recalls. ''But there was no reason not to do it - it was a brilliant script and you shouldn't turn your back on good work.''

The work, adapted from a novel by Jay Parini, relies on the diaries kept by those who orbited Tolstoy.

''A lot of people might think that the high-strung portrayal of that household might be over the top or even made up but it really was like that,'' McAvoy says. ''It might not have been as funny as we portray it sometimes but it all went down like that. My character kept multiple diaries, so you could find an entry that reflected how your character felt in relation to a scene in the film.

''You knew that he wrote that down that very evening, just hours after the event.'' [SMH]

Monday, 8 February 2010

John Barrowman on Jonathan Ross + John sings a 'Doctor Who' song

John was on Friday Night with Jonathan Ross on February 5. In the interview he talks about getting ready to be on Desperate Housewives.







John did a cover of 'The Wizard and I' from Wicked. It's a special Doctor Who version that played on BBC Radio 2. You can listen to it below:




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Tuesday, 19 January 2010

James McAvoy does 'Last Station' interviews; talks 'Wanted 2'

James has been doing tons of press for The Last Station over the last few days, and there are some interviews for you to check out:

James McAvoy talks about Wanted 2 with MTV News and you can watch the interview over at MTV's Splash Page.

Predicto TV talked to James McAvoy and his Last Station cast mates on the red carpet at last week's premiere of The Last Station.




Exclusive interview with James McAvoy and director Michael Hoffman:






You can also listen to an audio interview with James for MGK in Philadelphia. Enjoy!

Update: Go here to find out how to win tickets to the UK premiere of The Last Station.

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Tuesday, 5 January 2010

Audio interview with James McAvoy

James did an interview for Art On Air to promote The Last Station and you can listen to the entire interview here.

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Thursday, 24 September 2009

John Barrowman to play Robin Hood + a podcast interview


John Barrowman is set to play Robin Hood in a Christmas pantomime at the New Theatre in Cardiff in an attempt to save the New Theatre from closure. The pantomime will be performed twice a day (72 times) during the holiday season.

Cardiff council finance executive Mark Stephens said: "John Barrowman in Robin Hood could help turn around the New Theatre.

"Our basic problem is lack of income. People are not going there."

Barrowman's casting has already sparked a sales frenzy, with a reported 35,000 tickets already sold.

You can listen to John's interview with The Stage's Alistair Smith, and he talks about his role in La Cage aux Folles and more.

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