How to Make Better Decisions - thought-provoking documentary by the BBC
“In this program,” says narrator Peter Capaldi at the outset, “we’re
going to show you how to be more rational, and deal with some of life’s
biggest decisions.” It’s a pretty big claim, and you may doubt that it’s
true (especially during the silly opening scene involving a group of
nerds trying to score a date) but give this 2008 BBC Horizon program a
little time and you might come away with a few things to think about.
How to Make Better Decisions
takes us inside cognitive science laboratories and out on the streets
to demonstrate how the emotional part of our brain gets the better of
the rational part. The film introduces a number of intriguing concepts,
including Prospect Theory, “the framing effect,” and “priming.” More
controversially, it highlights some research that suggests the
possibility that our intuition may have something to do with an ability
to sense future events.
How to Make Better Decisions is 49 minutes long, and we’ve decided to add it to our growing collection of Free Movies Online.
Maleficent Maleficent, the Angelina Jolie-starring revisionist Disney fairytale
that’s set to pull a Wicked on Sleeping Beauty, is shooting right now.
And joining Jolie, in the cast is a considerable amount of Brit
talent, including Juno Temple, Imelda Staunton, Peter Capaldi and one Mr
Sam Riley.
Read more at Total Film
Amy Pond's memorable Doctor Who moments From snogging the Time Lord to a marriage proposal from Van Gogh, Patrick Mulkern compiles Karen Gillan's best bits
Amy Pond's memorable Doctor Who moments
From snogging the Time Lord to a marriage proposal from Van Gogh, Patrick Mulkern compiles Karen Gillan's best bits
1. The Little Girl Who Waited Karen Gillan’s favourite episode is her first one: "It has a
particular magic, a spellbinding quality." Little Amelia (played by
Gillan’s cousin, Caitlin Blackwood) was the 11th Doctor’s first pal. She
fed him fish fingers and custard, but he left her waiting 12 years for a
return. (The Eleventh Hour) Read more at Radio Times
Openly gay actor John Barrowman—best known for his role as Captain Jack
Harkness on the science-fiction series Doctor Who and Torchwood—will be
in the Chicagoland area Oct. 30-31 to promote the book Hollow Earth, a
fantasy/science-fiction novel for young adults he co-wrote with sister
Carole, Playbill reported. Aladdin Books, the children's division of Simon & Schuster, will release the novel Oct. 30. The Barrowmans will be at the Skokie Public Library, 5215 Oakton St.,
Skokie, Tuesday, Oct. 30, at 7 p.m.; and Anderson's Bookshop, 123 W.
Jefferson Ave., Naperville, Wed., Oct. 31, at 7 p.m. (They will also be
in Milwaukee and St. Paul, Minn.) The siblings also authored Torchwood: Exodus Code. Source: Windy City Times
Interview: John Barrowman & Carole E. Barrowman
A very special Torchwood novel has appeared this month,
written by series star John Barrowman and his sister Carole, who
previously contributed a comic strip to the official Torchwood
magazine. Set in the aftermath of Miracle Day, it sees Jack help to
combat a new global threat with the help and hindrance of Gwen, Rhys,
Sergeant Andy and even a certain member of the CIA. The Barrowmans
kindly agreed to answer a few questions from Paul Simpson about the new
story… a The first obvious question: how did you come to write the novel for BBC Books? Did you approach them or vice versa? John Barrowman: It was a bit of both actually.
Carole and I thought it would be fun to write an episode of the series
together and then the BBC came back and said how about a Torchwood novel? Carole E. Barrowman: The more we thought about it the more we liked the idea of the novel and the broader canvas it would give us for our story. Did you choose to set it after Miracle Day, or was that something you were asked to do? CB: We began this process before Miracle Day aired so originally we thought we’d set it between Children of Earth and Miracle Day to explore what Jack might have been doing after C of E. JB: One of the reasons it ended up being set after Miracle Day
is that lots of people had to read and approve of the plot before we
could begin. From Russell T Davies to the BBC and even Starz who still
own a percentage of the rights. CB: The delay ended up being a good thing because we
could draw on some aspects of Jack’s character that we thought had been
downplayed a bit in Miracle Day and bring them to the forefront in Exodus Code. JB: Like Jack’s sense of humour.
How
do you write the book between you? (Some writers take a plot thread
each then cross-edit; others plot together, and one person pulls it
together – there’s no set way!) JB: We have a different collaboration. We brainstorm
together, we outline plot together and then Carole takes all our notes
and ideas and goes off and does all the writing. I can do a lot of
creative things but I’m not a writer. CB: Which is great for me because I am. When I’m
finished with a draft I’ll send it to John and we’ll have another round
of discussion and feedback because during the actual writing process
things in the plot change, and characters can do unexpected things. The book heavily features a real medical condition (no
spoilers!); was this something you were aware of before working on the
book, and how did you research it? (i.e. talking to sufferers?) JB: I’m so glad you asked about this because it
turns out that Carole has a mild version of the condition that plays
such a critical part in the story and I knew nothing about it. Can you
believe that? A secret! From her brother! When I was reading a draft I’m
thinking where did this come from because we hadn’t included it in the
outline? But it got me thinking… it read so authentically. CB: I never thought it was a big deal or any deal
actually. It’s just the way my brain works so I don’t know anything
different. I certainly don’t see myself as a ‘sufferer.’ In fact, I
didn’t have a name for the condition until I was an adult and a friend
who also has the condition said something about it and I realised, wow,
not everyone is like this. I thought I was normal. JB: Not! And not just because of that…
What was the most challenging part about writing Exodus Code? JB: There wasn’t much that was a challenge after we
got through the whole process of getting our outline approved and we
made the decision to give the story a global appeal. CB: For me the hardest part was during the more
erotic moments in the story not to imagine John the actor playing Jack
the character. Does that make sense? As a TW fan, knowing Russell and having spent time on the set of TW
I know Jack the character pretty well and I needed to draw on that when
I was working on any of the sexy bits. Don’t want my brother in my head
for those bits… Torchwood has changed considerably from “Everything Changes”: what makes something a “Torchwood” story? What, for you both (with your different perspectives), is the ‘archetypal’ Torchwood story – if such a beast exists? CB: No question in my mind there’s an archetypal TW story. TW
has become such an important part of Sci-Fi’s zeitgeist and it’s
obviously woven into the Doctor Who universe too. For me, an archetypal TW
story has to feature Jack. No question. He’s our Byronic hero–set apart
from the rest of us, flawed, rakish, romantic but willing to make
sacrifices that we can’t and won’t make. Plus, I think there has to be
an alien presence of some kind. JB: Guess what? I agree with all of that. I’d also add that a TW
story must have Gwen. She’s everyone. She’s us–the audience. I think
Gwen is a critical point of view for every story to help the audience
make sense of the TW world.
A lot of the fans are – still – very unhappy about the death of Ianto in Children of Earth; would you consider writing a story set prior to then (say between the end of series 2 and the start of Children of Earth)? JB: Carole and I would be happy to write a Torchwood story set at any time in the canon. Torchwood has been a bit of the “little engine that could”: do you think we’ll see the show back on screens? CB: We structured this novel cinematically because we think it would make a good mini series or film. JB: I love playing Jack. I’m ready whenever they want him back on screen.
What do you think the strengths of the format are, compared with other SF shows like Doctor Who / Star Trek? Are there stories that can only be told by Torchwood? CB: I think any good writer can make an intriguing
story idea work for any format, but that said I do think there are lots
of unique elements that only TW can do, one being Jack’s presence in both the human world and the alien. JB: TW can also tell more adult stories with more controversial themes. Thanks to Sally Wray at BBC Books for her assistance in setting up this interview Read our review of Exodus Code here
John Barrowman on Gene Kelly Friday Night is Music Night: Gotta Sing, Gotta Dance! Tune in to BBC Radio 2 from 8pm on Friday 28th October to hear our Gene Kelly special on Friday Night Is Music Night. Presented by John Barrowman, watch John explain how Gene Kelly influenced his career. View the short video here
I know I am coming late to this, but tonight I am off to the Clapham Picturehouse to see Joe Wright’s Anna Karenina
with Keira Knightley. Despite the so-so reviews, I am intrigued
to see how the film-set-in-a-theatre idea comes off. Tolstoy’s great
novel is also probably the novel that would run Middlemarch the
closest if I was allowed only a single book on a desert island
(assuming I had a complete Shakespeare, of course). Which led me to muse
on earlier screen manifestations of this tale of love, loss and
redemption – and across the jump I have assembled seven YouTube clips of
trailers and extracts, as well as the links that will take you to the
two parts of a complete (legal) adaptation from Mosfilm with spectacular
visuals made in the Soviet Union in 1967. For more about these and
other adaptations, see this Wikipedia list. Enjoy.
1.Love, 1927, MGM, directed by Edmund Goulding and (uncredited) John Gilbert A scene from the comparatively little-known silent adaptation
starring Greta Gardo and John Gilbert – Vronsky speaks with Anna on
Easter Night in St Petersburg’s cathedral. The astonishing art direction
is by Cedric Gibbons and Alexander Toubuloff; the luminous
cinematography is courtesy of William Daniels.
2. Anna Karenina, 1935, MGM, directed by Clarence Brown Eight years later, Greta Gabo reprised the role, this time with
Fredric March as Vronsky and Clarence Brown as director. Daniels and
Gibbons both contributed to this production as well, although the gowns
this time were by Adrian. This is the trailer from the time.
3. Anna Karenina, 1961, BBC, directed by Rudolph Cartier This is the trailer for a remarkable small-screen version with Claire Bloom and Sean Connery, about which I blogged here (there are some nice screen-grabs too).
5. Anna Karenina, 1967, directed by Aleksandr Zarkhi, part two A truly spectacular – and very watchable – adaptation which was
supposed to compete in the 1968 Cannes Film Festival – before, that is,
the event was cancelled because of les evenements of May that
year. Both parts are officially posted on YouTube in full by Mosfilm
(there are over two hundred other Russian movies to choose from as well)
and you can use the “captions” control to access English subtitles.
6. Anna Karenina, 1977, BBC, directed by Basil Coleman This is the episode one (of ten) opening of a classic serial from the
BBC, with Nicola Pagett and Eric Porter. It’s certainly studio bound,
but it is far from negligible,
7. Anna Karenina, 1997, Icon Entertainment, directed by Bernard Rose Sean Bean was not everyone’s idea of Vronsky in a comparatively
low-budget Hollywood version, but this extract from the ball scene is
fun – Sophie Marceau plays Anna.
8. Anna Karenina, 2000, Company Pictures for Channel 4, directed by David Blair I recall rather liking this comparatively conservative small screen
version, which stars Helen McCrory and Kevin McKidd. Here is the opening
– but all of it is currently available (presumably illegally) on
YouTube. so you have the chance to make up your own mind.
9. … plus the official trailer for Boris Eifman’s full-length ballet
to music by (who else?) Tchaikovsky, which was premiered in St
Petersburg in 2005.
Dwarves, dwarves, dwarves... Eat your heart out Snow White, you've got nothing on Peter Jackson & the new Hobbit poster
Forget Snow White and her seven dwarfs - Peter Jackson has 13
for us, all crammed into a new poster for The Hobbit: An Unexpected
Journey, the first instalment in his Tolkien movie trilogy. There are no Sleepys, Dopeys or Docs here either. Led by Thorin
Oakenshield (Richard Armitage, centre), the dwarves are (in no
particular order) Fili (Dean O'Gorman), Kili (Adian Turner), Oin (John
Callen), Gloin (Peter Hambleton), Dwalin (Graham McTavish), Balin (Ken
Stott), Bifur (William Kircher), Bofur (James Nesbitt), Bombur (Stephen
Hunter), Dori (Mark Hadlow), Nori (Jed Brophy) and Ori (Adam Brown). Arriving unannounced at Bilbo Baggins's cottage, they whisk the
Hobbit off on a quest to claim back their home The Lonely Mountain from
the dragon Smaug (voiced by Benedict Cumberbatch).
The Hobbit: An unexpected Journey is released in the UK on 14 Decemeber 2012.
Mo 10/1: Ethan Hawke
Tu 10/2: Mindy Kaling, Carrot Top
We 10/3: Keanu Reeves, Dan Riskin
Th 10/4: Roseanne Barr, Keke Palmer
Fr 10/5: Dr. Sanjay Gupta, Ginnifer Goodwin
David Tennant will attend a charity event in Slough, Berkshire on Saturday 19th January 2013. There will be five actors there who have played The Doctor and they are calling the event Project Motor Mouth.
Former
Doctor Who actress Janet Fielding has been diagnosed with cancer so
Peter Davison has enlisted the help of other actors who played The
Doctor (including David Tennant) to launch Project MotorMouth. "It will not only raise money for a good cause but also keep Janet's spirits up."
The event is from 10am to 5pm at the Copthorne Hotel in Cippenham Lane, Slough, Berkshire SL1 2YE.
Tickets are £100 each which includes:
- A group photograph with you and all the Doctors appearing on the day
- An autograph from each of our guests
- An on stage interview
- A souvenir show booklet
During the day there will be an auction and a merchandise room with some exclusive items.
Tickets are limited to 300 and more guests are expected to be announced soon. TenthPlanetEvents are hosting the event.
Colin
Baker, Sylvester McCoy and Paul McGann are already confirmed for the
event so there will five actors who have played The Doctor!
Although
he will not be present at the event, David Tennant has given his
support to a anti-gay bullying event called the Celebrating Diversity
Carnival. It will be held on 25th October at the Paramount Bar in Oxford
Street, London. The quote that GayStarNews
credits to David Tennant is -
"‘I am delighted to be supporting the
Diversity Role Models Carnival at Paramount. It is essential that young
people have the opportunity to meet role models from the LGBT community,
to help break down stereotypes and prejudice that lead to bullying."
Links to watch David Tennant hosting episode 2 of Comedy World Cup are now up on David Tennant On Twitter
Channel Four announced on Thursday that episode 3 of Comedy World Cup (hosted by David Tennant) will air at 8pm on Saturday 29th September so it will overlap Doctor Who by 5 minutes. Source: David Tennant On Twitter
Broadchurch
Several on set photos have been shared online this week. - A new photo of David Tennant filming Broadchurch in West Bay a couple of weeks ago has been added to the internet by supporting actor Rosie Spring, here. - Some photos of David Tennant, Arthur Darvill and Olivia Colman filming Broadchurch at St Andrews Church, Clevedon today have been added to Tumblr. - More photos of David Tennant filming Broadchurch on Tuesday are here. - Hamsterfur has found a new HD photo on the internet of David Tennant (with Pauline Quirke) filming Broadchurch in West Bay the week before last. View it here Source: David Tennant On Twitter
RSC board
David Tennant is now listed on the Royal Shakespeare Company's website on the Board Of Directors Source: David Tennant on Twitter (blog) Also reported by The Daily Record
Stephen Fry, David Tennant, Patrick Stewart, and more read Shakespeare on your iPad
There are tens of thousands of apps out there putting themselves in
the educational category, but few are actually delivering quality
content that makes the most of the intimate digital experience that the
iPad offers people.
Touch Press has had some great success in the science space with its apps like The Waste Land, Solar System and Periodic Table, and now continues to bring quality video to the iPad in the form of Shakepeare’s Sonnets.
It offers an experience of over 150 of Shakespeare’s Sonnets read by
the likes of Stephen Fry, David Tennant, Patrick Stewart and many
performers from the Royal Shakespeare Theatre Company. It has taken
literature on the iPad up a notch.
Digital Theatre and Samsung launch app for streamed performances
Digital Theatre, which films British theatre productions and screens
them online, has launched an app in partnership with Samsung that allows
the shows to be viewed on demand via a TV. The free Digital Theatre App, which is compatible with Samsung
Smart Televisions that have an internet connection, streams the
performances, which are available to buy online.
Digital Theatre’s website currently has 14 shows available,
including Arthur Miller’s All My Sons, which stars David Suchet, and
Shakespeare’s Much Ado About Nothing, featuring David Tennant.
Standard or high definition recordings can be downloaded for
unlimited viewings via laptops, computers or standard TVs at the price
of £8.99 and £10.99 respectively.
After purchasing the download, users receive a redemption code to
be used with the Digital Theatre App on Samsung Smart TVs. The
production will then be stored via the app library for 30 days, with 48
hours to complete viewing.
More than 20 million apps have already been downloaded worldwide from the Samsung Apps store for TV.
Digital Theatre is also offering an online rental service, which
is not compatible with the app, where productions are available to view
for a limited period of time.
Co-founder and chief executive of Digital Theatre, Robert
Delamere, a former theatre director, said that the app would create a
new experience for consumers: “Viewing performances online by using a
laptop is a singular experience. There’s something about viewing it on a
larger TV screen that enables more of a community experience. Being a
director that is very important for me.”
He added: “We wanted to work with Samsung because they are a
global brand and a powerhouse. They responded to our content and said
they would like to champion it.”
A Scottish student falls for a Sudanese girl, but not everything goes smoothly. With David Tennant as Brian. Source: YouTube
Diary Dates
Mon 24 Sep - Q&A with Paula Milne including clips of The Politician's Husband at BFI in London. Wed 26 Sep - Screening of David Tennant's production of Look Back In Anger in Hawick, Scotland. Thurs 27 Sep - Doctor Who book published with contributions from fans and celebrities to raise money for Alzheimer’s Research UK. Sat 29 Sep - Episode 3 of Comedy World Cup is broadcast on Channel Four at 8pm. Source: David Tennant On Twitter
Grey’s Anatomy’s Kevin McKidd will Live-Tweet the Season 9 première
As part of ABC’s Tweetapalooza week, when stars from new and returning ABC shows will live-tweet during their season premières, Grey's Anatomy fans will get an insider’s look at the Season 9 première (Season 9, Episode 1: "Going, Going, Gone") through Kevin McKidd’s (Owen Hunt) gorgeous blue eyes.
According
to ABC, the celebrity tweeting frenzy begins with the Emmy Awards on
Sunday, September 23, and continues through Thursday, September 27, the
night of the Grey’s première.
Kevin will be representing the show on Twitter that evening @TheRealMcKidd, beginning at 9 p.m. PT. Note that East Coasters will have to wait until midnight to tweet along.
What was your initial reaction when you read the script for ‘The Impossible’….? Ewan McGregor: I wanted to be involved with ‘The Impossible’ because
of the script, I liked it very much. And the script, for me that’s the
first box you have to tick, regardless of who’s going to be in the movie
or who’s directing it. I think if the script is not really good, it’s
harder to make a really good film out of that. And with ‘The
Impossible,’ there was something very honest and true about it, and a
simplicity, in a way that made it very brutal and very vivid. And then I
liked Juan Antonio Bayona’s film ‘The Orphanage’ very much so I was
interested to meet him and work with him. And to get to work with Naomi
Watts again, because I made a film with her some years ago, it’s always
nice to work with somebody you’ve enjoyed with working before. We knew
each other and have a nice easy way, hopefully that came across on
screen. We are both parents and we tried to make this couple seem real,
not like a movie family. Was there a particular moment in the script that grabbed you or resonated with you? Ewan McGregor: There’s a moment between Maria and her oldest child
Lucas that touched me the most. When he sees the extent of her wounds
for the first time, he says something like, “Oh Mama, I can’t see you
like that.“ I thought there was something incredibly truthful about that
line….. a child looking at his injured mum and he just can’t bear to
see her hurt. I don’t think I knew at the time that it was a true story
but it felt incredibly accurate and really described the tone of the
movie to me.
As a father yourself, how did you approach playing Henry in ‘The Impossible’? Ewan McGregor: I wanted very much to do this film because I’m a
father, you know? I have four children now, and I’ve never really
explored being a parent in a film before. It’s odd because I’ve been a
father for fifteen years and yet I’ve never really played….I can’t think
of one, I’ve never really played a dad or explored what it means to be a
dad. So because I wanted to do that with this film, I felt that I
wanted to make Henry much more like me – because I thought I could play a
character, but I wanted to explore being a parent against this terrible
backdrop, this horrible disaster. I thought the most effective way to
do that was to play Henry as me. So I used my own voice, I didn’t use an
accent, I didn’t make any attempt to sound English as opposed to
Scottish – because my children don’t have Scottish accents and they’ve
grown up with me all of their lives (laughs). So there was no need for
him to be English just because the children have English accents.
The sets in the movie are incredible, that must have helped inform your performance immensely? Ewan McGregor: Definitely. The sets, the amazing sets that our
designer built, they really helped inform the performance. Seeing these
incredible, devastated areas. We shot a pre-tsunami The Orchid Resort,
and a few days later we shot a post-tsunami The Orchid Resort – that was
really quite impressive, that was affecting. And I think seeing the
real images that we’ve all seen on the news and in the paper, to see
them kind of come alive like that was really incredible and harrowing.
How was it working with your three young co-stars in the film, your three movie sons? Ewan McGregor: I liked our kids very much. Tom Holland, Oaklee
Pendergast and Samuel Joslin, I think they’re really special children.
And it was wonderful watching Tom who had never worked in front of a
camera before, to see him really get it and grow as a film actor as he
went along. He’s really talented and polite to everyone. It’s very easy
for children to lose perspective but he’s absolutely on the right road
and a brilliant actor. And the other wee boys, Samuel and Oaklee, are
great, too. Oaklee was really little but totally in the moment when we
were playing scenes, completely engaged. He’s not doing a school play.
He’s really there.
You share the majority of you scenes in ‘The Impossible’ with Oaklee and Samuel , how was that experience? Ewan McGregor: Those two little kids were the best part for me. My
growing relationship with those two boys has been really fantastic. At
the beginning, where they were quite shy of me but a month later, it was
completely different. There were always there, coming into my trailer
in between shots, and I really liked that. That will be my favourite
memory of the movie, working with those two wee boys. Source: Flicks and Bits
Another set of photos have been released for the upcoming Joe Wright film ANNA KARENINA, and just like everything else we’ve seen from the film, these shots are beautiful.
The costumes, settings and lighting make me want to see this film alone, add in the excellent cast and it’ll be tough for ANNA KARENINA to be poor film.
Families planning a trip to Scotland can now pick up a map highlighting locations across the country that feature in Brave, the new Disney-Pixar animated movie.
Created by VisitScotland, the map directs holidaymakers to attractions such as Tolquhon Castle near Aberdeen and various landscapes that inspired the filmmakers.
The guide is available free of charge from tourist information centres throughout the country and is divided into regions, allowing visitors to follow in the footsteps of Merida, the heroine voiced by Scottish actress Kelly Macdonald.
Mike Cantlay, chairman of VisitScotland, said the map allows the millions of people around the world who have been 'captivated' by Brave to 'experience the real thing'.
He added: 'This fantastic Movie Map allows visitors to explore the castles, culture and myths of Scotland - where legends come to life.'
The tourism agency set up a partnership with Disney to take advantage of the opportunity represented by the new film, which it hopes will generate £140m for the Scottish economy.
BSG’s Katee Sackhoff to play Karen Gillan’s mother Katee Sackhoff is joining Oculus, the horror movie from Intrepid Pictures that already has cast Dr Who sidekick Karen Gillan in the lead role.
The plot begins a decade after a terrifying family incident left two
young children orphans. Although her brother was charged with murder,
Kaylie (Gillan) is convinced a haunted antique mirror is the real
perpetrator and years later wants to prove that the mirror was
responsible for destroying their family. Sackhoff, who stars on
A&E’s Longmire, will play Marie, the mother to a younger version of
Kaylie. Director Mike Flanagan co-wrote the script with Jeff Howard, and
FilmDistrict is distributing in the U.S.
Any Day Now Alan Cumming tweeted the following announcement regarding his movie, Any Day Now, which will be shown at the Hamptons International Film Festival next month:
Source: @Alancumming (Twitter)
Music Box Films Takes Any Day Now Music Box Films has acquired all US and Canadian rights to Any Day Now, directed by Travis Fine, written by Fine and George Arthur Bloom, and starring Alan Cumming and Garret Dillahunt. The film will be released theatrically in North America beginning this December.
Any Day Now has been well-received on the festival circuit, winning audience awards for Best Picture at each of the four festivals it has entered, including the Tribeca Film Festival, Outfest and the Seattle International Film Festival. Additionally, Cumming won the Best Actor Awards at Outfest and the Seattle International Film Festival.
Inspired by a true story, Any Day Now tells of a gay couple in the 1970s that takes in an abandoned mentally handicapped teenager and becomes the family he's never had. When their unconventional living arrangement is discovered by the authorities, the men must fight a biased legal system to adopt the child they have come to love as their own. While touching on legal and social issues that are more relevant now than ever, Any Day Now also addresses universal themes of love and acceptance.
The deal was negotiated by Preferred Content's Christine D'Souza and Kevin Iwashina with Music Box Films' William Schopf and Ed Arentz.
"This is a story that has waited a long time to be told. With Travis Fine at the helm, the film is as powerful as it is memorable and it features outstanding lead performances headlined by the brilliant Alan Cumming and Garret Dillahunt," says Arentz. "We couldn't be more proud or excited to release this motion picture."
Bill and Ed have an exceptional reputation for bringing high quality, thought-provoking cinema to moviegoers. I'm thrilled to be working with them and the entire team at Music Box Films to share 'Any Day Now' with audiences across North America, adds Travis Fine.
Music Box Films plans a late 2012 release to highlight Cumming's performance for year-end awards consideration.
