TV review: Accused
The last in Jimmy McGovern's series of one-off
crime-dramas was unremittingly grim, desolate – and compelling.
The last film in the Accused (BBC1) series, Jimmy McGovern's
collection of stand-alone dramas, wasn't quite stand-alone: it was connected by
a narrative thread to the previous film. This one opened with prison officer
Tina (Anna Maxwell Martin) escorting Stephen to his six-year stretch in a young
offenders' institute for stabbing his stepmother. He explained he'd only been
following orders.
"Oh right, someone told you to do it," she
said. "Who?"
"Alastair Campbell."
That was the very last laugh on offer, and if you saw
last week's unremittingly bleak instalment concerning the stabbing, you might
not have found it all that funny. But this film was bleaker still: before you
knew it, Stephen had hanged himself in his cell. The attempted resuscitation
scene that followed was positively numbing. Meanwhile Stephen's father (a
remarkable and straight-faced turn from comedian John Bishop) was left alone in
the visiting area, unaware of what the officers already knew: his son was dead.
It got worse. The story centred on Tina's colleague
Frank's failure to monitor the boy prior to his death, and Frank's insistence
that Tina cover up for him. Tina is no hero; her determination to be honest was
down to protecting her job – she has kids, and besides, she needed a new
boiler. Frank, it was clear, would do a lot to save his own skin, and the drama
was obviously not taking place in a moral sphere where people routinely got
rewarded for doing the right thing.
Without wishing to give too much away in case you missed
it and wish to see it, it all went steeply downhill from there, although not
predictably. The disjointed structure made for a few surprises, and every
unsparing detail was finely wrought, from the rote recitation of prison rules
that serves as an induction ("Don't damage prison property, don't kick
your door, don't shout out the window, don't push your panic button unless
you're dying, don't seal your outgoing mail ..."), to the chilly
atmosphere of Tina's freezing house, all seemingly designed to drive you to the
depths of despair. The performances were all brilliant, but in particular
Maxwell Martin managed to make Tina both vulnerable and implacable.
The film did finish on a final, optimistic note, but you
had to get there first. By the end, your idea of what counted as a happy
outcome had shifted pretty dramatically.
Source: The Guardian
Also reviewed by Huffington Post
Great Expectations
This Is Fake DIY have the first clip of Great Expectations. Neither Ewen Bremner nor Robbie Coltrane feature in the clip, but it gives a hint of what to expect.
Read and see more at This Is Fake DIY
